A dominant chord that targets a chord other than the tonic, adding drive and forward harmonic motion.
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Prompt use
Use "[Secondary dominant]" when the prompt needs more specific melodic or harmonic guidance. Section: Harmony and modulation.
Example prompt
Secondary dominant, Circle of fifths, Ascending progression
A dominant chord that targets a chord other than the tonic, adding drive and forward harmonic motion.
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A dominant chord that targets a chord other than the tonic, adding drive and forward harmonic motion.
Use Secondary dominant when the harmonie & melodie layer should become one of the main prompt signals.
Pair Secondary dominant with one clear genre, mood, or structure tag before adding more detail.
Avoid adding too many same-layer tags at once because it makes the result harder to diagnose.
Same section
Next tags to test
A chord sequence that steadily rises (by pitch, key center, or harmonic “lift”) to create forward momentum.
A melodic line that steps downward to signal release, calm, resignation, or falling tension.
A recurring idea (riff, melody, lyric phrase) that returns in a changed form to show growth or shifting meaning.
A core theme (musical or lyrical) that returns with new meaning through changed context, harmony, or phrasing.
The central musical or lyrical idea delivered at maximum impact, usually near the song’s high point.
Movement using whole steps that creates a floating, dreamy, or ambiguous feel (often in melodic motion).
A harmonic move with jazz flavor (extensions, altered dominants, ii–V gestures) that adds sophistication.